Spaghetti and meatballs — with a side of V-Ray for Houdini
Peter Sanitra reveals the secret sauce in his mouth-watering, jaw-dropping sim of the world-famous pasta dish. Learn how V-Ray for Houdini animated a feast.
FMX 2019 recap
Chaos Group brings together stars of animation, visual effects and mixed reality for behind-the-scenes access and demonstrations of the versatility of V-Ray.
Total Chaos: Day two recap
Total Chaos’s last day was a cornucopia of cool CG content covering everything from the world’s biggest buildings to the universe’s biggest bad guys.
Total Chaos: Day one recap
Ian Spriggs exclusively unveils his latest portrait, Vlado on new V-Ray Next for 3ds Max features, women in tech panel plus more from Chaos Group's conference.
RealtimeUK rebuilds “Game of Thrones” characters for “Winter is Coming”
How do you create photorealistic versions of the world’s most well-known TV stars from scratch? We asked RealtimeUK to break down its epic video game cinematic.
Controlled demolition: tips from Bottleship VFX
With The Wandering Earth rocking the Chinese box office, we ask Bottleship VFX’s Hristo Velev how he unleashes destruction while keeping his business on track.
Invasion of the body crashers
Ingenuity Studios knows how to knock ‘em dead. Grant Miller shares how V-Ray for Houdini helped them render a pile of 9,000 zombies for The Walking Dead.
Digital Domain on Thanos: The devil is in the detail
Learn how V-Ray helped Digital Domain maximize the level of detail on Thanos in Avengers: Infinity War and render some of the film’s most challenging moments.
Faster, more dramatic large-scale water sims with Phoenix FD and Chaos Cloud
CG Artist Jonas Ussing shares his tips for cinematic splashes via this animation of Tokyo's flood defense system in operation.
Four-years, 210 all-CG shots. The film that changed VFX workflows
Before “real-time ray tracing” was sexy: CONSTRUCT is the proof that a small team of top talent can literally change the future of VFX workflows.
Rocket science: Meet the CG supervisor behind the furry fan favorite
We talk to Method's Nate Shaw about wrangling Rocket Raccoon into Guardians of the Galaxy Vol. 2 and Avengers: Infinity War.
How to perfect a 3D-printed look with V-Ray shaders
Senior compositor and 3D generalist, Lars Wemmje reveals how he used 3D printing and V-Ray for Maya to bring a small figure to life.
Claws and effect: How The Blues Crab could change the tune of the VFX industry
Director Ari Rubenstein invents a new way to create short films using a small team, V-Ray for Nuke, and YellowDog’s cloud rendering service. Discover how he overcame the pinch points of conventional pipelines.
V-Ray VFX & Animation Showreel 2018
We are proud to share our 2018 VFX & Animation Showreel showcasing some incredible work by V-Ray and Phoenix FD customers from around the world.
SIGGRAPH 2018 revealed the future. And it’s ray-traced
Computer graphics technology reached a new milestone at SIGGRAPH 2018, with Chaos Group at the cutting edge. Here, we recap the action and recount our V-Ray Days’ highlights.
Shooting for the Moon: How Lunar Animation Built a VFX Pipeline for the Future
With an impressive CG portfolio that's racked up over 350 million hits on Youtube, VFX studio Lunar Animation does it all — from cartoon cats to VR space battles.
ScanlineVFX takes Black Panther visuals over the edge
For Black Panther's most climactic moments, ScanlineVFX turned to Flowline and V-Ray to simulate and render the perilous backdrop of Wakanda's Warrior Falls.
Follow the Rabbit into an Airbnb VR Experience by Bipolar Studio
Find out how they made that incredible rabbit, and the role V-Ray played in making virtual apartments look real.
Total Chaos: Watch the Keynote Now!
Vlado officially launches V-Ray Next for 3ds Max — plus speeches from IKEA, Nvidia, and Google
10 Reasons to Come to Total Chaos
This May, we're putting on the greatest rendering event in the known universe. Here’s why you need to be there.
Finding Ningyo
VFX duo’s kickstarted film about the quest to discover a mythical creature catches Hollywood’s attention, with a little help from V-Ray.
Aaron Sims Creative – Making a Monster for Stranger Things
With Stranger Things 2 fueling water cooler conversations around the world, we chat to ASC’s Steffen Reichstadt and Michael Pecchia about creating series one’s terrifying Demogorgon.
Screen Scene goes Invisible with V-Ray on Black Sails
Rebuilding 18th-century Philadelphia for Starz piratical TV series.
KINGSGLAIVE: FINAL FANTASY XV ups its Game with V-Ray
Director Takeshi Nozue on the latest entry in the FF film series.