Articles tagged in "behind the scenes"

Method Studios © Marvel 2018
Rocket science: Meet Nate Shaw, the CG supervisor behind the furry fan favorite

Wise-cracking trash panda Rocket Raccoon has become a staple of the Marvel Cinematic Universe. We talked to Method’s Nate Shaw about wrangling the character into Guardians of the Galaxy Vol. 2 and Avengers: Infinity War.

© Beauty and The Bit
You won't see another arch viz movie like Landmark anytime soon

Architectural communication studio Beauty and The Bit unleashed its inner Kubrick for this atmospheric short film. Watch it here, and find out how director Victor Bonafonte took advantage of V-Ray Cloud.

© INK
Bloated Motors: INK gives the 70s’ unloved autos a helium injection

What began as an in-house experiment has ballooned into a viral phenomenon. We talk to the minds behind this playful reimagining of the cars that style forgot.

© TILTPIXEL
How easy is it to render on the V-Ray Cloud? TILTPIXEL puts it to the test

Award-winning arch viz studio TILTPIXEL taps into the power of V-Ray Cloud to render an animation of the world-famous Harbin Opera House.

Curv Studios The Blues Crab© Curv
Claws and effect: How The Blues Crab could change the tune of the VFX industry

Director Ari Rubenstein invents a new way to create short films using a small team, V-Ray for Nuke, and YellowDog’s cloud rendering service. Discover how he overcame the pinch points of conventional pipelines.

© Cinniature
From another Dimension: Adobe’s software gives graphic designers 3D superpowers

Dimension CC combines V-Ray rendering with machine learning so anyone can create realistic 3D imagery. Adobe's Zorana Gee and Ross McKegney explain how they launched their new app faster using V-Ray App SDK.

© Lunar Animation© Lunar Animation
Shooting for the Moon: How Lunar Animation Built a VFX Pipeline for the Future

With an impressive CG portfolio that's racked up over 350 million hits on Youtube, VFX studio Lunar Animation does it all — from cartoon cats to VR space battles.

ScanlineVFX Black Panther© Marvel Studios 2018
ScanlineVFX takes Black Panther visuals over the edge

For Black Panther's most climactic moments, ScanlineVFX turned to Flowline and V-Ray to simulate and render the perilous backdrop of Wakanda's Warrior Falls.

Follow the Rabbit into an Airbnb VR Experience by Bipolar Studio

Find out how they made that incredible rabbit, and the role V-Ray played in making virtual apartments look real.

© DBOX
DBOX's Keith Bomely on Wild 200 East 59th Marketing Campaign

Zoo York: Selling spacious apartments with the world's biggest animals.

Visual State Jaguar XF© Visual State
Visual State unites V-Ray Next and VRscans for Jaguar project

Chaos Group’s next-gen tech helps creative studio create eye-popping renders.

CLO V-Ray AppSDK© CLO Virtual Fashion
How CLO Has Integrated V-Ray in the Fabric of its Software

CLO’s design software is used by some of the world’s biggest fashion and sportswear companies — and now it renders photorealistic imagery with V-Ray’s AppSDK.

Butterfly Effects

Graduation project When John Goes Outside is a short film with a big message. We talk to the students who created it.

Set Visions© Set Visions
Set Visions: From Photography to V-Ray

Is it real, or is it CGI? Meet Set Visions — the multifaceted company visualizing everything plus the kitchen sink

V-Ray for Grasshopper Explained

With V-Ray for Grasshopper, included in the latest version of V-Ray for Rhino, users can create photorealistic imagery from within Grasshopper. We asked Imago Design founder Jan Kokol to explain what’s new, and how it’s going to change his workflow.

IKEA© IKEA Communication
Putting the CGI in IKEA: How V-Ray Helps Visualize Perfect Homes

We take a trip to the Swedish furniture company’s headquarters to find out how it has embraced cutting-edge tech to create imagery and videos.

Ishou Keikaku: Architecture in V-Ray for Modo

V-Ray for Modo has become an essential part of Ishou Keikaku’s architecture pipeline. Find out why they started using it, and how V-Ray helps them create great images every time.

Ba Dai Tou NeoscapeJohn Portman & Associates © Neoscape
Neoscape goes 4K stereo for Ba Dai Tou

The idea of producing a 4K, stereoscopic arch viz film against a tight deadline would be enough to send most arch viz companies running to the hills. Here’s how Neoscape did it – with a little help from V-Ray.

Aaron Sims Creative Stranger ThingsAaron Sims Creative © Netflix
Aaron Sims Creative – Making a Monster for Stranger Things

With Stranger Things 2 fueling water cooler conversations around the world, we chat to ASC’s Steffen Reichstadt and Michael Pecchia about creating series one’s terrifying Demogorgon.

Screen Scene Black Sails V-Ray 3ds MaxScreen Scene © Starz
Screen Scene goes Invisible with V-Ray on Black Sails

Rebuilding 18th-century Philadelphia for Starz piratical TV series.

Kingsglaive: Final Fantasy XV© SQUARE ENIX CO., LTD. All Rights Reserved.
KINGSGLAIVE: FINAL FANTASY XV ups its Game with V-Ray

Director Takeshi Nozue on the latest entry in the FF film series.

PX Group Automotive© PX Group
HOW VRSCANS CHANGED PX GROUP’S AUTOMOBILE RENDERS

Artist Oliver Kossatz takes us under the hood of his incredible imagery.

Paul Nicholls — Factory Fifteen

Co-founder of innovative arch viz and filmmaking studio talks to Chris about Corona, collaboration, and how to build virtual worlds.

Johnny Gibson — Pixomondo

The James Bond of the VFX industry talks about his work on the Matrix, X-Men and How the Grinch Stole Christmas.