“Chaos Cloud has saved me incredible amounts of time”
Architect Joël Legault creates his own studio-quality renders with V-Ray for Rhino and Chaos Cloud. Discover how he works, plus his tips for that lived-in look.
Felix Urquiza & Dallas Carroll — Digital Giant
Changing lanes: how this multi-discipline imaging studio is revolutionizing the way automotive imagery is created — and what it means for the future of CG.
Matt Fairclough — Founder and Lead Developer, Terragen
How do we translate atmospheric and geological phenomenon into CG? The creator of Hollywood’s favorite scenery generator talks mountains, Mars and milk.
Geoffrey Baumann — VFX Supervisor, Marvel
Black Panther’s VFX supervisor reveals how he worked his way up to this crucially important role.
Rocket science: Meet the CG supervisor behind the furry fan favorite
We talk to Method's Nate Shaw about wrangling Rocket Raccoon into Guardians of the Galaxy Vol. 2 and Avengers: Infinity War.
Dave Macey — INK
Audi, McLaren, and Wired have turned to INK for incredible renders. Founder Dave Macey tells us how the company’s made a name for itself, and the importance of its passion projects.
Aaron Kupferman
The Meg and Avengers: Infinity War compositor on the relationship between CG artists and photographers.
Karim Mousa — Mozses
Talk like an Egyptian: Arch viz star on his stunning renders for Zaha Hadid, KPF, MVRDV and more.
Dean Niskota & Hrvoje Čop — Polymachine
Legendary Croatian arch viz firm Studio Niskota is no more — but something bigger and better is in the pipeline. Founders Dean and Hrvoje tell Chris what’s next.
Colin Green
The long history of how the art of Previs revolutionized the entire film industry
Sebastien Deguy — Allegorithmic
The happy accidents which have made Substance software a dream for CG artists
Boris Simandoff — V-Ray Cloud
The man behind V-Ray’s super simple cloud rendering tells Chris how it was done
Viki Chan — Digital Domain
Behind the scenes of Black Panther, Fast & Furious 8, and Beauty and the Beast with this on-set data integration lead
Greg Teegarden – Digital Domain
From the jurassic era to outer space and the high seas with VFX supervisor Greg
Shisha van Horn
Turning back the clock 24 years with CGI and architecture pioneer Shisha