Wise-cracking trash panda Rocket Raccoon has become a staple of the Marvel Cinematic Universe. We talked to Method’s Nate Shaw about wrangling the character into Guardians of the Galaxy Vol. 2 and Avengers: Infinity War.
What began as an in-house experiment has ballooned into a viral phenomenon. We talk to the minds behind this playful reimagining of the cars that style forgot.
Award-winning arch viz studio TILTPIXEL taps into the power of V-Ray Cloud to render an animation of the world-famous Harbin Opera House.
Director Ari Rubenstein invents a new way to create short films using a small team, V-Ray for Nuke, and YellowDog’s cloud rendering service. Discover how he overcame the pinch points of conventional pipelines.
With an impressive CG portfolio that's racked up over 350 million hits on Youtube, VFX studio Lunar Animation does it all — from cartoon cats to VR space battles.
Find out how they made that incredible rabbit, and the role V-Ray played in making virtual apartments look real.
Zoo York: Selling spacious apartments with the world's biggest animals.
Chaos Group’s next-gen tech helps creative studio create eye-popping renders.
Graduation project When John Goes Outside is a short film with a big message. We talk to the students who created it.
With V-Ray for Grasshopper, included in the latest version of V-Ray for Rhino, users can create photorealistic imagery from within Grasshopper. We asked Imago Design founder Jan Kokol to explain what’s new, and how it’s going to change his workflow.
V-Ray for Modo has become an essential part of Ishou Keikaku’s architecture pipeline. Find out why they started using it, and how V-Ray helps them create great images every time.
The idea of producing a 4K, stereoscopic arch viz film against a tight deadline would be enough to send most arch viz companies running to the hills. Here’s how Neoscape did it – with a little help from V-Ray.
With Stranger Things 2 fueling water cooler conversations around the world, we chat to ASC’s Steffen Reichstadt and Michael Pecchia about creating series one’s terrifying Demogorgon.
Rebuilding 18th-century Philadelphia for Starz piratical TV series.
Director Takeshi Nozue on the latest entry in the FF film series.
Artist Oliver Kossatz takes us under the hood of his incredible imagery.
CG Labs’ Chris Nichols talks to Hollywood creature creator about his incredible imagery.
Guardians of the Galaxy Vol.2, Stranger Things and Digital Humans headline blockbuster presentation roster.
How Uniform used V-Ray and VR to visualize London's most promising new development.
Sub-zero chase realized with V-Ray 3.5 for Maya’s Adaptive Lights tech
