Articles tagged in "making of"

Method Studios © Marvel 2018
Rocket science: Meet Nate Shaw, the CG supervisor behind the furry fan favorite

Wise-cracking trash panda Rocket Raccoon has become a staple of the Marvel Cinematic Universe. We talked to Method’s Nate Shaw about wrangling the character into Guardians of the Galaxy Vol. 2 and Avengers: Infinity War.

© INK
Bloated Motors: INK gives the 70s’ unloved autos a helium injection

What began as an in-house experiment has ballooned into a viral phenomenon. We talk to the minds behind this playful reimagining of the cars that style forgot.

© TILTPIXEL
How easy is it to render on the V-Ray Cloud? TILTPIXEL puts it to the test

Award-winning arch viz studio TILTPIXEL taps into the power of V-Ray Cloud to render an animation of the world-famous Harbin Opera House.

Curv Studios The Blues Crab© Curv
Claws and effect: How The Blues Crab could change the tune of the VFX industry

Director Ari Rubenstein invents a new way to create short films using a small team, V-Ray for Nuke, and YellowDog’s cloud rendering service. Discover how he overcame the pinch points of conventional pipelines.

© Lunar Animation© Lunar Animation
Shooting for the Moon: How Lunar Animation Built a VFX Pipeline for the Future

With an impressive CG portfolio that's racked up over 350 million hits on Youtube, VFX studio Lunar Animation does it all — from cartoon cats to VR space battles.

Follow the Rabbit into an Airbnb VR Experience by Bipolar Studio

Find out how they made that incredible rabbit, and the role V-Ray played in making virtual apartments look real.

© DBOX
DBOX's Keith Bomely on Wild 200 East 59th Marketing Campaign

Zoo York: Selling spacious apartments with the world's biggest animals.

Visual State Jaguar XF© Visual State
Visual State unites V-Ray Next and VRscans for Jaguar project

Chaos Group’s next-gen tech helps creative studio create eye-popping renders.

Butterfly Effects

Graduation project When John Goes Outside is a short film with a big message. We talk to the students who created it.

V-Ray for Grasshopper Explained

With V-Ray for Grasshopper, included in the latest version of V-Ray for Rhino, users can create photorealistic imagery from within Grasshopper. We asked Imago Design founder Jan Kokol to explain what’s new, and how it’s going to change his workflow.

Ishou Keikaku: Architecture in V-Ray for Modo

V-Ray for Modo has become an essential part of Ishou Keikaku’s architecture pipeline. Find out why they started using it, and how V-Ray helps them create great images every time.

Ba Dai Tou NeoscapeJohn Portman & Associates © Neoscape
Neoscape goes 4K stereo for Ba Dai Tou

The idea of producing a 4K, stereoscopic arch viz film against a tight deadline would be enough to send most arch viz companies running to the hills. Here’s how Neoscape did it – with a little help from V-Ray.

Aaron Sims Creative Stranger ThingsAaron Sims Creative © Netflix
Aaron Sims Creative – Making a Monster for Stranger Things

With Stranger Things 2 fueling water cooler conversations around the world, we chat to ASC’s Steffen Reichstadt and Michael Pecchia about creating series one’s terrifying Demogorgon.

Screen Scene Black Sails V-Ray 3ds MaxScreen Scene © Starz
Screen Scene goes Invisible with V-Ray on Black Sails

Rebuilding 18th-century Philadelphia for Starz piratical TV series.

Kingsglaive: Final Fantasy XV© SQUARE ENIX CO., LTD. All Rights Reserved.
KINGSGLAIVE: FINAL FANTASY XV ups its Game with V-Ray

Director Takeshi Nozue on the latest entry in the FF film series.

PX Group Automotive© PX Group
HOW VRSCANS CHANGED PX GROUP’S AUTOMOBILE RENDERS

Artist Oliver Kossatz takes us under the hood of his incredible imagery.

Ian Spriggs Self PortraitSelf Portrait © Ian Spriggs
The new master: Ian Spriggs talks photorealism and portraits

CG Labs’ Chris Nichols talks to Hollywood creature creator about his incredible imagery.

V-RAY DAYS @ SIGGRAPH 2017 ROUNDUP

Guardians of the Galaxy Vol.2, Stranger Things and Digital Humans headline blockbuster presentation roster.

Greenwich Peninsula Place Santiago Calatrava UniformSantiago Calatrava © Uniform
Uniform on Calatrava’s Peninsula Place

How Uniform used V-Ray and VR to visualize London's most promising new development.

Digital Domain Fate of the Furious V-Ray MayaDigital Domain © Universal Pictures
Digital Domain — Fate of the Furious

Sub-zero chase realized with V-Ray 3.5 for Maya’s Adaptive Lights tech