With V-Ray for Grasshopper, included in the latest version of V-Ray for Rhino, users can create photorealistic imagery from within Grasshopper. We asked Imago Design founder Jan Kokol to explain what’s new, and how it’s going to change his workflow.
V-Ray for Modo has become an essential part of Ishou Keikaku’s architecture pipeline. Find out why they started using it, and how V-Ray helps them create great images every time.
The idea of producing a 4K, stereoscopic arch viz film against a tight deadline would be enough to send most arch viz companies running to the hills. Here’s how Neoscape did it – with a little help from V-Ray.
With Stranger Things 2 fueling water cooler conversations around the world, we chat to ASC’s Steffen Reichstadt and Michael Pecchia about creating series one’s terrifying Demogorgon.
Rebuilding 18th-century Philadelphia for Starz piratical TV series.
Artist Oliver Kossatz takes us under the hood of his incredible imagery.
Director Takeshi Nozue on the latest entry in the FF film series.
CG Labs’ Chris Nichols talks to Hollywood creature creator about his incredible imagery.
Guardians of the Galaxy Vol.2, Stranger Things and Digital Humans headline blockbuster presentation roster.
Sub-zero chase realized with V-Ray 3.5 for Maya’s Adaptive Lights tech
How Uniform used V-Ray and VR to visualize London's most promising new development.
