Aaron Kupferman
The Meg and Avengers: Infinity War compositor on the relationship between CG artists and photographers
Karim Mousa — Mozses
Talk like an Egyptian: Arch viz star on his stunning renders for Zaha Hadid, KPF, MVRDV and more
Ken Ibrahim
From SEGA to Star Wars: The incredible origins story of a visual effects Jedi
Ian Spriggs
“Portrait of Cassidy” is CG artist Ian Spriggs’ latest digital portrait. Listen to find out how he created this and many of his other masterpieces.
Andre Matos — Porsche AG
CG artist shares tricks of the trade for awesome automobile renders
Dean Niskota & Hrvoje Čop — Polymachine
Legendary Croatian arch viz firm Studio Niskota is no more — but something bigger and better is in the pipeline. Founders Dean and Hrvoje tell Chris what’s next.
Ondřej Karlík & Jaroslav Křivánek — Corona Renderer
The partnership between Corona and V-Ray is starting to bear photorealistic fruit. Find out how the companies are collaborating, and the exciting new features coming soon to Corona.
Dan Thron & Erick Schiele — Jaws and More
What can megabudget blockbusters learn from a 43-year-old movie about a rubber shark?
Darren Hendler & Ron Miller — Digital Domain
Digital Domain’s digital human experts discuss the incredible work which went into Avengers’ Thanos
Steve Blakey
VFX vets talks software, swimsuits — and Scott Ross
Jesse James Chisholm
After Black Panther and Ready Player One VFX supervisor tells you everything you need to know about working on set in the movies
Colin Green
The long history of how the art of Previs revolutionized the entire film industry
Sebastien Deguy — Allegorithmic
The happy accidents which have made Substance software a dream for CG artists
Rob Redman — 3D World Magazine/Vertex 2018
Making 3D Worlds: multi-talented editor talks magazine publishing, events organization — and guitar building
Josh Naylor, Brian Sharp & Agnus Mckay — Unity and Oculus Medium
Real-time engines and VR, it's not just for games anymore, it's actually for productivity. Just ask the guys at Unity and Oculus Medium
Boris Simandoff — V-Ray Cloud
The man behind V-Ray’s super simple cloud rendering tells Chris how it was done
Dan Thron — Martini Giant — Blade Runner 2049
Do androids dream of electric sheep? Chris and Dan pore over seminal sci-fi sequel of Blade Runner
Zorana Gee & Ross McKegney — Adobe Dimension
Another Dimension: How Adobe’s V-Ray powered 3D software is revolutionizing workflows, embracing machine learning, and democratizing the industry
Ludger Pfanz, Karlsruhe University of Arts and Design; Kelli Townley, Oculus Medium; Ciaran Wills & Mach Kobayashi, Tilt Brush — THU 2017
How can we make sense of virtual worlds? And which tools can we use to create them? A filmmaker-turned-lecturer and three guests from Oculus and Google offer their thoughts.
Vlado — V-Ray Next
Chris spends some time with Vlado getting the lowdown on V-Ray Next
Alex McDowell — World Building Institute
World building - the storytelling process every 3D artist and designer should build into their work.
Dan Thron and Justin Goby Fields — Martini Giant — The Last Jedi Part 2
Chris, Dan, and Justin find common ground in the second part of their epic Star Wars discussion
Viki Chan — Digital Domain
Behind the scenes of Black Panther, Fast & Furious 8, and Beauty and the Beast with this on-set data integration lead
Dan Thron and Justin Goby Fields — Martini Giant — The Last Jedi
Was The Last Jedi a great Star Wars movie? A new voice offers his take