NEW — NVIDIA AI denoiser in Viewport IPR
The NVIDIA AI denoiser is now available for interactive rendering with V-Ray IPR in the viewport.
Method Studios © Marvel 2018
Method Studios © Marvel 2018
© Spellwork Pictures
© Spellwork PicturesMethod Studios © Marvel 2018Method Studios © Marvel 2018© Spellwork Pictures© Spellwork Pictures
Production-proven ray traced rendering with a full suite of tools to create professional photoreal imagery and animations.
Built to handle the absolute toughest projects and largest scenes.
Multicore CPU and GPU-accelerated rendering engines for optimized speed and scalability.
Real-time look development with interactive lighting, shading and rendering.
Integrated seamlessly into Maya and designed to fit any production pipeline.
Top artists and studios rely on V-Ray for Maya to create award-winning animation & visual effects.
Method Studios © Marvel 2018We talk to Method’s Nate Shaw about wrangling the wise-cracking trash panda into Guardians of the Galaxy Vol. 2 and Avengers: Infinity War.
© Ian SpriggsCG Labs’ Chris Nichols talks to Hollywood creature creator about his incredible imagery.
VFX duo’s kickstarted film about the quest to discover a mythical creature catches Hollywood’s attention, with a little help from V-Ray.
The NVIDIA AI denoiser is now available for interactive rendering with V-Ray IPR in the viewport.
Quickly isolate selected textures and materials to help debug large shading networks in IPR.
Adds support for Cryptomatte render elements.
This powerful tool layers textures with blend modes and individual masking controls.
Redesigned IPR for faster feedback and continuous updates when moving the camera or working on animation. View preview video >
Faster and more accurate image-based environment lighting based on V-Ray Scene Intelligence.
Render more realistic-looking hair with accurate highlights and new glint and glitter controls.
Fast new GPU rendering architecture that now supports more high-end production features.
V-Ray GPU now supports blazing fast rendering of volumetric effects like smoke, fire and fog.
Now supporting Alembic 1.7 and layers for efficient handling and updating of Alembic data.
Create non-photorealistic cartoon and cel shading effects. Now with new advanced line controls.
Wise-cracking trash panda Rocket Raccoon has become a staple of the Marvel Cinematic Universe. We talked to Method’s Nate Shaw about wrangling the character into Guardians of the Galaxy Vol. 2 and Avengers: Infinity War.
Chris Nichols of Chaos Group talks to Chris Nichols of Digital Domain to discuss digital humans, Thanos of Avengers: Infinity War, and how they used to get each other's emails.
Senior compositor and 3D generalist, Lars Wemmje reveals how he used 3D printing and V-Ray for Maya to bring a small figure to life.
We are proud to share our 2018 VFX & Animation Showreel showcasing some incredible work by V-Ray and Phoenix FD customers from around the world.
Computer graphics technology reached a new milestone at SIGGRAPH 2018, with Chaos Group at the cutting edge. Here, we recap the action and recount our V-Ray Days’ highlights.
With an impressive CG portfolio that's racked up over 350 million hits on Youtube, VFX studio Lunar Animation does it all — from cartoon cats to VR space battles.
V-Ray allowed us to render some seriously dense meshes, and still gave us the control we needed to iterate quickly. V-Ray is fast and stable, and rendering is never an issue, which speaks to the strength of the software.
